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Bob Dylan wins Nobel Literature Prize

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Bob Dylan wins Nobel Literature Prize

Post by Kitkat on Thu 13 Oct 2016 - 13:07

Well done, Bob!  Very well deserved.   :thumb:


US singer Bob Dylan has been awarded the 2016 Nobel Prize for Literature.


The 75-year-old rock legend received the prize "for having created new poetic expressions within the great American song tradition".



Dylan took his stage name from the poet Dylan Thomas


The balladeer, artist and occasional actor is the first songwriter to win the prestigious award.

The performer - who took his stage name from the poet Dylan Thomas - is the first American to win the award since novelist Toni Morrison in 1993.

Sara Danius, permanent secretary of the Swedish Academy, said Dylan had been chosen because he was "a great poet in the English speaking tradition".

"For 54 years now he's been at it reinventing himself, constantly creating a new identity," she told reporters in Stockholm.

Dylan had long been tipped as a potential prize recipient, but few experts expected the academy to extend the award to a genre such as folk rock music.




Dylan was born Robert Allen Zimmerman in 1941 and began his musical career in 1959, playing in coffee houses in Minnesota.

Much of his best-known work dates from the 1960s, when he became an informal historian of America's troubles.

Songs like Blowin' in the Wind and The Times They are A-Changin' became anthems of the anti-war and civil rights movements.

His move away from traditional folk songwriting, paired with a controversial decision to "go electric" proved equally influential.

Dylan's many albums include Highway 61 Revisited in 1965, Blonde on Blonde in 1966 and Blood on the Tracks in 1975.

Since the late 1980s he has toured persistently, an undertaking he has dubbed the "Never-Ending Tour".

The award will be presented alongside this year's other five Nobel Prizes on 10 December, the anniversary of prize founder Alfred Nobel's 1896 death.
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Re: Bob Dylan wins Nobel Literature Prize

Post by Stardust on Thu 13 Oct 2016 - 20:58

I love it. happyheart Great decision. happyheart


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Re: Bob Dylan wins Nobel Literature Prize

Post by Stardust on Fri 21 Oct 2016 - 11:49

I heard the Committee didn't manage to find Bob Dylan to arrange for him to collect this prize, even though the same evening he was giving a concert so would have been easy to contact, and that they finally gave up trying.

So what happens now? I've not read or heard any more about it.


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Re: Bob Dylan wins Nobel Literature Prize

Post by Kitkat on Sat 22 Oct 2016 - 17:18

Stardust wrote:I heard the Committee didn't manage to find Bob Dylan to arrange for him to collect this prize, even though the same evening he was giving a concert so would have been easy to contact, and that they finally gave up trying.

So what happens now? I've not read or heard any more about it.


Today's headline:

Bob Dylan's Nobel silence 'impolite and arrogant'



Bob Dylan's failure to acknowledge his Nobel Prize in literature is "impolite and arrogant", according to a member of the body that awards it.


The 75-year-old singer was named the shock winner of the prize last week.

But all efforts by the Swedish Academy to contact him have failed, and he has not acknowledged the win in public.

Academy member Per Wastberg told Swedish television: "He is who he is," adding that there was little surprise Dylan had ignored the news.

"We were aware that he can be difficult and that he does not like appearances when he stands alone on the stage," he told Sweden's Dagens Nyheter newspaper in a separate interview.

A reference to the prize was removed from Dylan's website last week.

It is still not known if he will travel to Stockholm to receive the prize on 10 December. If he does not, a ceremony marking his career will go ahead as planned, Mr Wastberg said.

Mr Wastberg called the snub "unprecedented", but one person has previously rejected the Nobel Prize in Literature - French author and philosopher Jean-Paul Sartre in 1964.

And one other recipient was distinctly underwhelmed by the honour conferred upon her by the Swedish Academy.
On learning she had won the prize in 2007, having returned from doing her shopping, the author Doris Lessing responded: "Oh Christ."

However, she did attend the ceremony later that year.
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Re: Bob Dylan wins Nobel Literature Prize

Post by Stardust on Tue 25 Oct 2016 - 8:43

Apparently he's added a new song at the end of his concerts with the words "why change me now" or something to that effect, otherwise total silence...


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Re: Bob Dylan wins Nobel Literature Prize

Post by Kitkat on Sat 29 Oct 2016 - 0:55

Dylan says he wants to attend Nobel Prize ceremony if he can


NEW YORK (AP) — Bob Dylan says he "absolutely" wants to attend the Nobel Prize Award Ceremony "if it's at all possible" in December, finally breaking his silence about earning the prestigious honor. The 75-year-old was awarded the 2016 Nobel Prize in literature earlier this month. In an interview with U.K. newspaper The Telegraph posted Friday, Dylan says "isn't that something." and "it's hard to believe" of getting the award.




October 29, 2016

The singer-songwriter was silent after the announcement and a member of the Swedish Academy that awarded him the prize said the icon's silence was "impolite and arrogant." The Nobel Prize Award Ceremony takes place Dec. 10 in Stockholm. Dylan is the first musician to earn the Nobel Prize in literature.

Online (world exclusive interview - with never before seen photos):

The Telegraph's interview with Dylan:
http://www.telegraph.co.uk/men/the-filter/world-exclusive-bob-dylan---ill-be-at-the-nobel-prize-ceremony-i/

Transcript of the interview is here - but check in the above link for the photos and 1984 video'd interview with Mick Brown

28 October 2016 • 9:00pm

World exclusive: Bob Dylan - I'll be at the Nobel Prize ceremony... if I can


“Isn’t that something…?” Bob Dylan isn’t exactly making a big deal out of being awarded the Nobel Prize for Literature. But at least the 1960s trailblazer is finally acknowledging his becoming the first musician to be granted admission to the world’s most elite literary club.

When I ask him about his reaction to hearing the news a fortnight ago that he is to follow in the footsteps of George Bernard Shaw, TS Eliot, Winston Churchill, William Faulkner, Günter Grass, Ernest Hemingway and Harold Pinter, I have no idea what to expect. Dylan, now 75, is on tour in Oklahoma, and we had been due to discuss his new exhibition of artworks, depicting iconic images of American landscapes and urban scenes, which opens to the public at the Halcyon Gallery on London's New Bond Street next week.

Since it was announced he had been chosen by the Swedish Academy to receive the Nobel, Dylan has made no public reference at all to it, save for a fleeting mention on his own website that was deleted within 24 hours. More than that, he has also reportedly refused to pick up the phone to speak to representatives of the Nobel committee. They apparently remain in the dark about whether he will be attending the ceremony on December 10, when he will receive a cheque for £750,000 from King Carl VI Gustaf.

Well, I can put them out of their misery. For when I ask about his Nobel, Dylan is all affability. Yes, he is planning to turn up to the awards ceremony in Stockholm. “Absolutely,” he says. “If it’s at all possible.”

And as he talks, he starts to sound pretty pleased about becoming a Nobel laureate. “It’s hard to believe,” he muses. His name has been mentioned as on the shortlist for a number of years, but the announcement was certainly not expected. When he was first told, it was, Dylan confides, “amazing, incredible. Whoever dreams about something like that?”

In which case, I can’t help but ask, why the long public silence about what it means? Jean-Paul Sartre famously declined the award in 1964, but Dylan has these past weeks seemed intent on simply refusing to acknowledge its existence, so much so that one of the normally tight-lipped Nobel committee labelled him “impolite and arrogant”.
For his part, Dylan sounds genuinely bemused by the whole ruckus. It is as if he can’t quite fathom where all the headlines have come from, that others have somehow been over-reacting. Couldn’t he just have taken the calls from the Nobel Committee?

“Well, I’m right here,” he says playfully, as if it was simply a matter of them dialling his number, but he offers no further explanation.

It is over a quarter of a century since I first interviewed Bob Dylan. That was back in 1989, and he started off so reticent that he was monosyllabic. When I asked him a question about the 1960s, he snapped at me. What I did then was start over and ask all the same questions again. It worked. We ended up doing a two-and-a-half hour interview.

If there is one thing I have learned about him over the years, and the several interviews he has granted me, it is that he always does the unexpected. Bob Dylan has never made a secret of the fact that he doesn’t like the media. It is two years since he last spoke to a journalist. He does it his way.

So, for all the speculation over the last two weeks about the reasons behind his blanket silence on the Nobel award, I can only say that he is a radical personality – which is why he has remained of so much interest to us over six decades since he first emerged on the Manhattan music scene in 1962 – and cannot be tied down, even by the Nobel Prize committee.

In interviews over the years, the famously unpredictable Dylan has been by turns combative, amiable, taciturn, philosophical, charismatic, caustic and cryptic. He has seemed intent, most of all, on being fiercely private and frustratingly unknowable. Hence his apparent toying with the Nobel committee cannot be said to have come entirely out of the blue.

Perhaps it is just that he has grown casual about garlands that would send the rest of us into orbit, as he has received so many in the course of his long career in the spotlight, since songs such as “Blowin’ in the Wind” and “The Times They Are a-Changin’” became anthems for the civil rights and anti-war movements of the 1960s.

Among many others, he has received a Special Citation Pulitzer (2008), the National Medal of Arts (2009), Presidential Medal of Freedom (2012), as well as France’s Ordre des Arts et des Lettres (1990) and the Légion d’Honneur (2013).

So does he agree with the Nobel committee, I ask, that his songs belong alongside great works of literature? Sara Danius, permanent secretary of the Swedish Academy, for example, has linked Dylan’s contribution to literature with the writers of ancient Greece.

“If you look back, far back, 2,500 years or so,” she has said, “you discover Homer and Sappho, and they wrote poetic texts that were meant to be listened to, they were meant to be performed, often together with instruments, and it’s the same way with Bob Dylan. But we still read Homer and Sappho… and we enjoy it, and same thing with Bob Dylan. He can be read, and should be read.”

Dylan treats her words with a certain hesitation. “I suppose so, in some way. Some [of my own] songs – “Blind Willie”, “The Ballad of Hollis Brown”, “Joey”, “A Hard Rain”, “Hurricane”, and some others – definitely are Homeric in value.”
He has never, of course, been one to explain his lyrics. “I’ll let other people decide what they are,” he tells me. “The academics, they ought to know. I’m not really qualified. I don’t have any opinion.”
On the associated question of whether those same lyrics can be considered poetry, Dylan has long delighted in publicly changing his mind. He is perfectly capable in one interview of saying that they can, and then the next time he grants a journalist an audience saying that they can’t.

At heart, he just likes to remain beyond reach. He is as elusive over the question of religion as he is over his songs. Born Jewish, in the late 1970s he released two Christian-themed albums that appeared to suggest he was born-again, but followed them by holding his eldest son Jesse’s bar mitzvah at the Western Wall in Jerusalem, the holiest of Jewish sites. (In total, Dylan has six children from two marriages.)

This refusal to explain extends to other aspects of his creative work. Dylan has been working as a visual artist, in tandem with his music, he explains, since the 1960s. “I’m not obsessed with painting,” he laughs. “It’s not all I do.”

But news of his Nobel Prize for Literature has coincided with the opening at London’s Halcyon Gallery of The Beaten Path, a new exhibition of his watercolours and acrylics – his fourth at the Mayfair venue since 2008.

Is there a parallel between song-writing and painting?

“There’s a certain intensity in writing a song,” he replies, “and you have to keep in mind why you are writing it and for who and what for,” he says. “Paintings, and to a greater extent movies, can be created for propaganda purposes, whereas songs can’t be.”

“There’s a certain intensity in writing a song,” he replies, “and you have to keep in mind why you are writing it and for who and what for,” he says. “Paintings, and to a greater extent movies, can be created for propaganda purposes, whereas songs can’t be.”

His artwork has been on walls in museums and in private collections around the world since 2007, but devotees first began noticing his painterly ways when he did album covers for The Band’s “Music from Big Pink” in 1967, and his own “Self-Portrait” in 1970. A book of drawings, 1994’s Drawn Blank, grew into a series of paintings that first went public nine years ago in Germany before traveling to London, Edinburgh, Tokyo and Turin.

He later assembled collections inspired by trips to Asia and Brazil, before Halcyon directors Paul Green and Udi Sheleg suggested he look instead in his own backyard for inspiration. (When he’s not on the road, Dylan lives in Malibu, California.) For his four exhibitions at the gallery, he has crisscrossed America, often combining his painting with touring his music.

“Well, it’s the land I know best, really, and Halcyon Gallery was probably aware of that, too,” he says. “At first, it was just a series of landscapes they suggested – landscapes without people – so I did that. To me, that meant mountains, lakes, rivers, fields and so forth. Sometime later they expanded the idea to include city façades, bridges, automobiles, streets and theatres. Anything outdoors. It’s not an idea I would have thought of myself, although I could relate to it.”

While straightforward, many of the images – a shadowy figure in a phone booth in “Midnight Caller”, or deserted tables in “Ice Cream Shack”– suggest stories and secrets. Others, such as “Staring at the Moon”, “Rooftop Parking Lot”, “Night Train” and “Del Rio”, convey isolation and solitude, even loneliness, but that may simply be a by-product of escaping the frenzy and hollowness of urban life.

When it comes to meaning, Dylan is, it becomes clear, no more keen to explain his paintings than he is his lyrics. “Different people read different things into what they see,” he says. “It’s all subjective.”
Having been touring practically non-stop since 1988, Dylan grabs opportunities on the road to sketch and paint. This way, he’s not tied to timetables, methods or locations.

“I just do it,” he says. “All kinds of places. Wherever I am, really. You can carry a sketchbook anywhere. Watercolours are easy to work with. You can set them up anywhere. The easels and paints are transferable. As far as acrylics and oils, I do them in a barn-like studio or a larger space. I can work in other painters’ studios, too.
“As a rule, I usually avoid overcrowded streets. You just have to find some vantage point that feels right. All of these things take time, and you are not going to get it down all at one time.

“Once I put the generic forms down, later I can use pixellated imagery, photographs, advertisements, optical devices and so forth, to reconfigure things to complete the picture. There’s a process to it. I usually work on more than one painting at a time. Each one is different, depending how simple or complex they are. They all take different lengths of time.”

A few years ago, Dylan began exhibiting huge iron installations, a number of which appear in the new Halcyon show. Bill Clinton was given one of his gates for his 65th birthday, and a 26-by-15-foot archway entitled Portal will become Dylan’s first public artwork when it goes on permanent display in Maryland later this year.

“I was putting iron together even as far back as in my hometown [Hibbing, Minnesota, an iron-mining town], but it was always only a hobby,” he says. “I can’t remember not doing it. It’s just not something I thought anybody else would be interested in. Most of my iron pieces up until the recent years were just for friends and family or myself.”

As a painter, writer, film-maker, actor and disc jockey, Dylan plainly sees no limitations to artistic expression. But he does recognise his own limitations.

“There’s a lot of things I’d like to do,” he says. “I’d like to drive a racecar on the Indianapolis track. I’d like to kick a field goal in an NFL football game. I’d like to be able to hit a hundred-mile-an-hour baseball. But you have to know your place. There might be some things that are beyond your talents.

“Everything worth doing takes time. You have to write a hundred bad songs before you write one good one. And you have to sacrifice a lot of things that you might not be prepared for. Like it or not, you are in this alone and have to follow your own star.”

    Current date/time is Thu 17 Aug 2017 - 12:19